12/27/2023 0 Comments MASKA download the new versionThere’s more painful wordplay when Persis talks of a time when she was too drunk and says she was under “beer pressure”. All I could think was, how did you get this content past Netflix? In theory, the idea of a dying old man wanting to share a ‘bun maska’ with his wife, may have seemed moving, but when you see how it plays out, it’s just bizarre. The situations, the performances, all seem manufactured. When Persis gets forcibly written into a situation where she has to share the bizarre anecdote of her dead brother to a half-awake Rumi, it leaves you fighting a laugh, not a tear. He reacts with the genial smile of a stranger. Rumi has decided to sell off his café for money, but when he’s told heartwarming anecdotes of people who love his café, he betrays no guilt. Both actors, Prit Kamani and Shirley Setia (who plays Rumi’s neighbourhood friend, Persis), deliver wooden performances that show little evidence of internalisation of their characters and their motivations. This phase sinks Maska beyond redemption. Will Rumi sell his café, his family legacy, to fund his pipedream? Somehow, the makers conspire to kill this tension by bringing in a love triangle, which I suppose, was always on the cards. The conflict rises to a crescendo around the one-hour mark, despite the mediocre performances and music. The former complains: “Dad, I have no identity.” The latter retorts, “You have no Aadhaar card?” Suddenly, Coronavirus didn’t seem that bad. Around this time, Rumi begins interacting with an apparition of his dead father, Rustom Irani (Javed Jaffrey). She says, and I’m not making this up, “I have son-thritis.” Another character makes the overused ‘jeans-genes’ wordplay. Her character, Diana, gets diagnosed with arthritis, but she knows she has a bigger problem to contend with: Her son’s rebellion. Manisha Koirala, for instance, delivers an OTT performance (pun intended) that seems out of place in this universe.
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